

Next, explore all available White Reaper tickets on the left hand side of the screen.Once you find the perfect date and show time, click on the button on the right hand side of the event to see all available tickets for that show. Browse the above listings of White Reaper tickets to find a show you would like to attend.SeatGeek is the best way to browse, find, and buy White Reaper Tickets.

Don’t sleep on this one.Most White Reaper concerts last about 2-3 hours but can run shorter or longer depending on the opening acts, encore, etc. It’s a great album that’s well worth your time. The moments just after Marty is snatched from the clutches of oblivion, and literally thrown back into the world of the living, embody the excitement I had after putting on White Reaper Does It Again. Guitar now firmly in hand, he springs to his feet, leaping into consciousness, born anew. A newly revitalized Marty snaps into sentience. It looks as if all hope is lost until Marty’s father, George McFly (Crispin Glover), steps up and victoriously pushes the bully to the floor, simultaneously securing the kiss and his son’s existence. Just as Marty’s parents are slow dancing and history is unfolding as it should, a bully unexpectedly cuts-in on Marty’s father, interfering with fate. If his parent’s don’t kiss, Marty will cease to be. Fox), has traveled back in time and is playing guitar onstage at the dance where his parents are due to have their first kiss. In it, the film’s protagonist, Marty McFly (Michael J. The overall impression of White Reaper’s first full-length record is, in my personal experience, best compared to a scene near the end of the 1985 science fiction comedy classic Back to the Future. Many of the songs are fleshed out even further with the addition of a tambourine, intensifying the chunking pound of Nick Wilkerson’s drum kit. A handful of tracks feature an analog-sounding synthesizer that at times serves to enhance a guitar solo, add a Ric Ocasek-like touch, or provide an eerie John Carpenter vibe.

Two-thirds into the same song, Tony lets out a gut-wrenching howl that, in the context of the album as a whole, makes it seem as if he had been working up to the moment since the LP’s opening number. He uses this skill to great effect on the record’s strongest song “Sheila”, altering the repeatedly shouted one-word-chorus to sound more like “She-lay”. White Reaper’s lead singer, Tony Esposito, is extremely intuitive and has that rare ability to twist vowels at whim, making common words sound new and cool. White Reaper Does It Again delivers twelve outstanding garage punk anthems reminiscent of King Tuff, Audacity, and the late Jay Reatard.Īs the songs roll out, each one seems to build on the momentum of the previous without losing its uniqueness. Folks who saw the clip and decided they needed more won’t be disappointed. With its THUMPTHUMPTHUMP bass drum fills, and vocals that rapidly build to an outstanding crescendo, the quick ditty serves as an ideal primer for the impatient and uninitiated. The footage of automobiles being destroyed paired with White Reaper’s frenetically paced, short-but-sweet track make for a beautiful marriage. In the one minute and twenty second promo, two young men are shown smashing junked cars with sledge hammers in glorious slow motion. Those who regularly read online news regarding up and coming indie bands may have come across a music video for White Reaper’s song “Last 4th of July” earlier this month.
